2023年3月26日

畫家李Mullican先鋒1987公布的數字藝術通過Tezos非功能性測試畫家李Mullican先鋒1987公布的數字藝術通過Tezos LeeMullican非功能性測試”。圖形文件”抓住了已故藝術家的從調色刀過渡到鼠標和觸摸筆當他是在60年代末。創建一個帳戶保存你的文章。李Mullican身體繪畫駐留的永久性收藏現代藝術博物館(MoMA),洛杉磯縣藝術博物館(LACMA),和其他著名的學府是已故藝術家也是早期數字實驗者,和他的一些幾十年的成分被標記並發布為非功能性測試。周四,非功能性測試野生文件發布“LeeMullican藝術平台。圖形文件”,一組12個數字塊Mullican於1987年創建的。每一塊使用PC畫筆應用在名義上的文件格式和IBM 5170年保存在5¼英寸軟盤。Mullican,誰在1998年去世,享年67歲。廣告廣告上的每個非功能性測試現在已經鑄造Tezos區塊鏈,包含原始圖形文件文件+ 35毫米的掃描照片幻燈片Mullican把他的電腦屏幕上顯示每個各自的工作。李的照片Mullican早期數字藝術創造。形象:野生李Mullican野性文件文件/房地產和已故藝術家的房地產的最初20版本公開出售的每一塊,給他們提供了作為一個包(2400美元)周四,剩下的部分單獨出售第二天為200美元。 The primary offering completely sold out on Friday, though some pieces are now listed on secondary marketplace Objkt . Mullican is best known for his abstract physical work, in which scads of small, rhythmic marks—applied with a palette knife—collectively form a larger composition. He’s one of the artists behind the brief Dynaton movement in the 1940s and 1950s, and the Los Angeles Times described him as being “most adept at creating forms of ambiguous temporality.” 5/5 “I examined why I thought the computer was for me. Even in my paintings, I was always working with pattern and line and color. I’ve had a built-in computer ever since I’ve been doing art.” pic.twitter.com/sfvYIhWWK0 He was introduced to digital art in 1986 via UCLA’s Advanced Design Research Center’s Program for Technology in the Arts, and traded his palette knife for a mouse and stylus. The resulting works, some of which are included in “LeeMullican.PCX,” effectively translate his style into the digital realm with the kind of bold coloring you’d expect from late ‘80s graphic apps. “I examined why I thought the computer was for me,” Mullican is quoted by Feral File as saying. “Even in my paintings, I was always working with pattern and line and color. I’ve had a built-in computer ever since I’ve been doing art.” Mullican has been described as a digital art pioneer for exploring the possibilities with relatively simple early art software, helping to lead the way for future generations of digital artists—and the rise of tokenized artwork. “LeeMullican.PCX” curator Anika Meier told Decrypt that the painter faced resistance at the time for even entertaining the concept. “Lee Mullican was relentlessly experimenting,” Meier said. “Back then, there was no market for digital art. He kept going. He kept creating, no matter what people said. He was told that he was wasting his time working with computers. He didn‘t care.” AD AD She added that the growing recognition of the work of Mullican and other digital art pioneers like Herbert W. Franke serves as a signal to modern artists to continue creating and trying new things, regardless of market activity. It’s “a reminder to keep experimenting and to keep going, even though there might not be immediate sales or recognition,” she said. “LeeMullican.PCX” is the second NFT collection based on Mullican’s early digital work. A previous set, “Computer Joy,” was released as Ethereum NFTs through Verisart in late 2021. Those pieces were released in combination with an exhibition of his physical work, as well, while the latest drop is a purely digital offering. Mullican’s own digital work has now been tokenized and released via NFTs, but there’s also a throughline from his early experimentations to the modern NFT art world. The tools today are dramatically more powerful and versatile, and there’s a thriving market as well. But it’s still ultimately about artists finding new and distinctive ways to express themselves. “The common ground is the excitement for entering new territory and pushing boundaries,” Meier told Decrypt. “What has changed is that there aren‘t just a few pioneers, but many creating art with new technologies—and, by doing so, changing the history of art, bringing digital art to the forefront—creating abstract digital paintings using code as a medium.” Stay on top of crypto news, get daily updates in your inbox. Your Email